Dressed-Up Woman Devours Fast Food Before Startled Trainer Glances In

SCENE:
A cheap fast food restaurant on a Sunday afternoon, a plastic table next to a big window. The young woman from @ Image1 and @ Image2, same face and dark brown hair, sits at the table. Her skin is dry and natural, no sweat. She is dressed up for a night out: a fitted black corset top with a deep neckline, high-waisted jeans, gold hoop earrings, long dark hair down and styled, evening makeup. In front of her is a huge tray of fast food: two burgers, a big box of fries, chicken nuggets, a large chocolate milkshake and a large cup with "DIET" written on it. She eats messily, completely ignoring how dressed up she is.

0-3s: she dips a handful of fries into the milkshake, stuffs them into her mouth, cheeks full, and says confidently to the camera: "Calories don't count on weekends."
3-6s: the friend behind the camera whispers: "Mila... your trainer." She freezes mid-chew, eyes wide, and slowly turns to the window. Outside, a fit man in a gym tracksuit stands and stares at her.
6-10s: in one quick move she shoves the whole tray across the table toward the camera, grabs a small cup of water, sips it and smiles innocently, waving at the window.

CAMERA:
Authentic casual footage captured with an older consumer digital camera. Handheld DV 16mm camcorder aesthetic. An unseen person operates the camera from a plausible nearby position. Preserve the viewpoint, framing and shot sequence described in the scene. Camera reactions feel human and slightly imperfect. The recording device stays outside the frame.

LOOK:
Soft digital-tape look with subtle vintage DV character. Soft fine detail, faint digital noise, mild compression, slightly muted colours, restrained contrast and imperfect white balance. Preserve natural skin tones, pores, wrinkles, fabric texture and realistic surface reflections. No beauty filters, plastic skin, glossy commercial finish or heavy colour grading.

HANDHELD:
Natural hand shake, slightly crooked framing and small framing corrections. Brief motion blur during camera movement, occasional delayed autofocus after reframing and subtle vertical movement from the operator's body. Keep faces and important actions readable. Avoid perfectly stabilized or gimbal-like movement.

LIGHTING:
Available daylight entering through the room's actual windows. Areas near the windows are brighter, with natural light falloff deeper into the room and soft reflections from nearby walls. Preserve gentle facial shadows, realistic skin tones and readable interior detail. No studio fill lights or artificial beauty lighting.

AUDIO:
Restaurant background noise, her muffled voice with a full mouth, the friend whispering, the tray sliding, the friend trying not to laugh.