6 shots, total 30s — 0.0-5.0s, 5.0-10.0s, 10.0-15.0s, 15.0-20.0s, 20.0-25.0s, 25.0-30.0s. Hard cuts, no dissolves. Normal speed throughout, no slow motion, no ramping. CAPTURE CADENCE — CRITICAL: native 24fps, true 180-degree shutter, real 1/48s exposure every frame. Fluid, continuous motion blur. Never choppy, never juddering. No interpolation, no ghosting, no video look. NO ON-SCREEN TEXT — CRITICAL: no text of any kind anywhere in frame. No captions, subtitles, titles, credits, watermarks, logos, timecode, UI overlays. NOBODY ELSE IN FRAME — CRITICAL: no other vehicles, no bystanders, no extras. Only the war-rig, the pursuing buggy, and one circling hawk are ever visible. THE BLAST — CRITICAL: explosive charges strobe the frame in hard orange flashes at intervals throughout. The stepped quality of any lit moment comes entirely from these blasts, never from broken footage — camera motion stays smooth throughout. Sand streams diagonally, screen-left to right. Subject Lock — the war-rig: a massive armor-plated truck welded from scavenged steel, spiked wheel guards, a smoking exhaust stack, dented cab windows. No decals, no faction markings. Barrels forward across open desert, frame rocking hard over dunes. Subject Lock — the buggy: a stripped-down open-frame dune buggy with an oversized engine, roll cage, and a mounted harpoon-gun. No decals, no faction markings. Weaves close behind the rig at full throttle, driver crouched low behind the wheel, never visible past silhouette. World Plate: an open desert at high noon — rolling dunes, a distant rock mesa, cracked dry lakebed patches, heat-shimmer rising off the sand. No other structures or vehicles present. THE ATMOSPHERE — CRITICAL, depth only: heavy dust-haze at high density kicked up by both vehicles — rig sharp near, buggy softened mid-distance, mesa near-erased far. Reads as thickened dust-air only, never a fog-machine look. SHOT 1 — 0.0-5.0s. THE CHASE. Camera rides low beside the rig's wheel well, cant 15°, matching its speed over dunes. Rig barrels forward, buggy closing hard from behind, harpoon-gun swinging up to aim. Rig screen-left leading, buggy screen-right pursuing. Diegetic sound. SHOT 2 — 5.0-10.0s. THE STRIKE. Camera orbits tight around the rig's rear, cant swinging 15-35°, never square. The harpoon fires and punches into the rig's flank, cable snapping taut, rig swerving hard. Both centered, sand kicking up. Diegetic sound. SHOT 3 — 10.0-15.0s. THE OMEN. Cut to a hawk circling high above the mesa, banking hard away as a distant explosion flashes below. Hawk centered against the pale sky. Diegetic sound. SHOT 4 — 15.0-20.0s. THE BLOWOUT. Low static camera at dune level, whip-panning as a planted charge detonates beside the rig's path. Sand and rock spray skyward; the rig punches through the blast cloud without slowing. Blast cloud diagonal across frame, rig emerging low center. Diegetic sound. SHOT 5 — 20.0-25.0s. THE SURGE. Camera drops to wheel height, rockets forward through a dust corridor lit by a fresh blast flash. Rig floors it, wheels tearing through sand, buggy's harpoon cable snapping loose behind. Rig screen-left driving right. Diegetic sound. SHOT 6 — 25.0-30.0s. THE AFTERMATH. Camera pulls back to a wide static dune frame, dust settling, wind dying. The rig idles alone, engine ticking, as the buggy's wrecked frame smolders far behind, flipped on its roll cage. Rig small and centered, mesa dark behind. Diegetic sound. Cross-Frame Rules: rig's dents and exhaust stack never change. Buggy's harpoon cable stays taut until Shot 5. Only the rig, buggy, and hawk ever visible. Sand-drift direction stays constant. Mesa keeps the same silhouette wherever it appears. Blast-flash applies only inside Shots 1, 2, and 4. No score enters at any point. Last Frame: the war-rig idles alone on open desert, engine smoking lightly, the buggy's flipped wrecked frame smoldering at the frame's edge, the mesa looming behind under a pale sky. No on-screen text, no logo, no watermark. Sound Bed: diegetic only — roaring engines, grinding gears, the harpoon cable snapping, a sharp explosion, sand hissing against metal, a hawk's distant cry. No score, no subtitles. Camera & Capture Realism: ~32mm/68° FOV, vintage 2x anamorphic with oval bokeh and streak flares off the blast light, shallow depth of field, color-negative rendition, fine grain. Violent handheld — cant swinging 15-45°, punching in and ripping back, every frame mid-move but smooth in its own travel, never locked, never gimbal-glide. No CGI look, no AI smoothness, no video-game HUD, no motion smoothing.